Large-scale sculpture fabrication, artist-led
Some work will not fit through the studio door. We help artists in New York realize it: a monumental version of a hand-made maquette, digital sculpture made physical, or a small edition of matching works. You keep authorship and control. We handle sectioning, large-format 3D printing, finishing and getting something big out of the shop and into a show.
What we make for artists
- A large-scale version of a hand-made maquette, from a 3D scan
- Digital sculpture printed big and joined into one seamless piece
- A small edition of matching works
- Components for an installation that combines print with other materials
- Test sections and finish samples before committing to the full work
Printed big, finished in the studio
Every piece is printed in white or clear PETG, in sections sized to the form. We join the sections, fill and sand the seams, then prime and paint. All colour is paint, so you can name any colour, match a swatch or pick from our codes, from 02 Cobalt to 05 Vermilion.
Clear PETG can carry light: a tinted coat over a clear shell lets a work glow from inside. Flexible TPU 70A is coming soon for soft or bendable parts, but it is not available yet.
From maquette to monument
Scaling up is never just multiplication. Details that read at tabletop size can vanish at room scale, thin parts need internal structure and the surface has to hold up at viewing distance. We talk through those changes before printing and suggest where to thicken, simplify or add support without changing the character of the work.
Seams can follow natural lines in the form. The surface can range from visible layer texture, kept on purpose, to a deep, flawless coat. For editions, the same file and process give consistent results, which makes multiples more predictable than hand-casting.
Your work, your decisions
Your files and ideas stay yours, and confidential work stays confidential. We send test sections, finish samples and progress photos, so every choice that changes how the work looks comes back to you. If you would rather paint it yourself, we hand it over sanded or primed.
How it works
- Share the work: files, scans, sketches or a maquette.
- We discuss scale, sections, surface and budget, then quote.
- We print a test section or finish sample for your approval.
- We print and finish to the agreed stage, or hand over primed for your own finish.
- We deliver to your studio, gallery or exhibition.
What to send us
Send what you have, at any stage:
- Model files, scans, or photos of a maquette
- Target size and where it will be shown
- Surface intent: raw, primed, painted or your own finish
- Edition size, if any
- Deadlines for the exhibition, fair or commission
See how a piece moves from file to finish on our process page. Showing with a gallery? Read art objects for galleries, or public art fabrication for work in a plaza or park. When you are ready, send your project through Start a print.
Questions
Do I keep the rights to my work?
Yes. Your files, designs and the finished work are yours. We fabricate to your direction and treat your project as confidential.
Can I finish the piece myself?
Yes. We can hand over work raw, sanded or primed so you can apply your own surface, or take it all the way to a finished painted coat.
I only have a physical maquette. Can we start from that?
Yes. A maquette can be 3D scanned to make a printable model. If you do not have a scan yet, tell us and we will talk through how to get one.
What material do you print sculpture in?
White or clear PETG, printed in sections, joined and painted. Every colour is paint. Flexible TPU 70A is coming soon but is not available yet.